Tightrope walker in-situ
“To be in suspense, is to hold your breath. And look with as much attention as possible, what is simply there, what is offered to you in the presence of things.
The test is in this balance won over the void; at any time it can break. The tightrope walker risks falling, especially when he stops, when he practices standing there, almost without moving. It is his own impetus that he retains and which nevertheless would restore his stability. A tightrope walker, he prefers to attempt this miracle of suspension while leaning on the rope. You could say he's waiting – but that's another thing. The suspension is not a time stopped before something happens, it is the event itself; the entry into this intimate time where in reality the decision has already been made, but no one knows it yet. »
Excerpt from “Praise of risk” Anne Dufourmantelle.
These are in-situ forms, adapted to the spaces, which are born thanks to meetings, discussions, bets and a common trust between the organizer and us.
Our accomplices are becoming more and more numerous.
Each representation is unique, adapted or created in-situ.
The desire is to bring the wire everywhere, even in incongruous places, and to bring our universe there which mixes tightrope walker performance, musical and absurd.
Les Performances Tightrope walkers in-situ open the door to shared stories and moments of life that will be unique each time.
Let's create a story together. Let's imagine a space, whatever it is, crossed by one or more threads...
©Kalimba - Révolte ou tentatives de l'échec
La Roue Giratoire est une petite forme de 20 minutes, pour l’extérieur, que nous pouvons jouer deux fois par jour.
Dans un espace protégé, en intérieur ou en extérieur, en milieu scolaire...
Une installation simple avec la Roue autonome sur son socle et une petite scène à proximité pour le musicien qui joue en live.
20 minutes - 1 à 2 fois par jour. Public à 360° en circulaire.
©Yannick Perrin - Escapade - Bonlieu Scène Nationale Annecy
The team
Tightrope walker:Johanne Humblet
Technical coordinator:Nicolas Lourdelle, Katia Mozet Floreani
Rigging technicians: Nicolas Lourdelle, Yvan Bringard, Shaan Sauzéat, Rémy Legeay, Maël Bongini, Simon Pourqué, Jérémie Jambon,...
Music : Deadwood, Violette Legrand, Jérémy Manche, Annelies Jonkers, Abdel Rakoon
Light creation: Clément Bonnin, David Baudenon, Bastien Courthieu
Sound management: Mathieu Ryo, Marc-Alexandre Marzio
Press: Elektronlibre - Olivier Saksik, Manon Rouquet
Logistics: Romane Vanderstichele
Administration, production:Berenice Riollet
Partenaires
Production : Les filles du renard pâle
Accueil en résidence :
Bonlieu Scène Nationale d'Annecy
Le Manège de Reims
La Brèche Pôle National Cirque de Normandie Cherbourg-Octeville
Avec le soutien financier de la Région Grand Est triennal 22-24,
La pré-figuration au conventionnement 23-24 DRAC Grand Est
Contact
Artistic: Johanne Humblet - +33(0)6 07 32 35 33
_cc781905-5cde-3194 -bb3b-136bad5cf58d_ artistique( at)lesfillesdurenardpale.com
Production Administration: Catherine Njiné Djonkam
_cc781905-5cde-3194 -bb3b-136bad5cf58d_ administration( at)lesfillesdurenardpale.com
Production: Aurora Martinet
_cc781905-5cde-3194 -bb3b-136bad5cf58d_ production( at)lesfillesdurenardpale.com
Diffusion :
_cc781905-5cde-3194 -bb3b-136bad5cf58d_ diffusion( at)lesfillesdurenardpale.com